| 文化碰撞与调适: 中国早期都市流行歌曲的历史生成与功能探究 |
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| 引用本文：傅议萱.文化碰撞与调适: 中国早期都市流行歌曲的历史生成与功能探究[J].上海第二工业大学(中文版),2025,42(4):457-461 |
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| 基金项目:上海市艺术科学规划项目(2025-A-003) 资助 |
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| 中文摘要:中国早期都市流行歌曲作为新音乐文化形态, 发轫于20 世纪二三十年代以上海为中心的都市文化场域。这一音乐现象既标志着中国流行音乐的萌芽阶段, 更构成了近代音乐文化转型的重要实验场域。其发展轨迹深刻反映了新文化运动后中国都市社会文化的结构性变迁。本研究采用历史音乐学与社会文化史的双重视角, 通过文献互证与文本分析, 系统梳理该音乐形态的演进脉络。重点聚焦于时代背景的多维影响机制、音乐文本的形态特征、社会文化功能的实现路径等方面, 进而突破传统音乐史的单线叙事, 揭示流行音乐作为“文化传感器” 的历史功能。 |
| 中文关键词:早期都市 流行歌曲 历史功能 |
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| Cultural Collision and Adjustment: An Exploration of the Historical Generation and Function of Early Urban Popular Songs in China |
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| Abstract:Early urban pop songs in China, as a new form of music culture, originated in the urban cultural field centered around Shanghai in the 1920 s-1930 s. This musical phenomenon not only marks the embryonic stage of Chinese popular music, but also constitutes an important experimental field for the transformation of modern music culture. Its development trajectory profoundly reflects the structural changes in urban social culture in China after the New Culture Movement. This study adopts a dual perspective of historical musicology and socio-cultural history, and systematically sorts out the evolution of this musical form through literature review and text analysis. The focus is on the multidimensional influence mechanism of the historical background, the morphological characteristics of music texts, and the implementation path of social and cultural functions. Furthermore, it breaks through the single line narrative of traditional music history and reveals the historical function of popular music as “cultural sensor”. |
| keywords:early urban pop songs popular songs historical functions |
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